Join us at both signature events and special offerings in conjunction with new exhibitions.
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The exhibition brings together the artist’s early durational films and later serial photographs to examine repetition and duration as central forces in his art. Presenting nearly 70 photographs from the Zimmerli’s collection and a suite of films on loan from the Andy Warhol Museum in Pittsburgh, On Repeat offers a rare look at how Warhol used time, stillness and seriality to chart the shifting terrain of identity.
The Zimmerli’s first exhibition dedicated to Armenian nonconformist art from the Dodge collection features nearly 60 artworks by more than 30 artists who captured the ideological, stylistic and aesthetic diversity of Armenian nonconformism from the 1960s to 1990.
Exploring the Multiplicities of Indigeneity, Indigenous Identities: Here, Now & Always features more than 100 works by nearly 100 artists including Norman Akers, Kay WalkingStick, Emmi Whitehorse, Alan Michelson, New Red Order, and Zoë Urness, among others.
Group exhibition joined by intimate solo presentation of Smith’s work from the Zimmerli’s collection.
The Zimmerli joins hundreds of cultural institutions around the globe on Bloomberg Connects, which offers unique content to enrich visitor engagement. The app invites the public to easily access the Zimmerli's content when planning a trip to the museum, while in the galleries or delving deeper after a visit. Easy links to visitor information, upcoming events, the gallery map, social media accounts, and membership options—as well as multilingual capabilities with the integration of Google Translate—enhance the visitor experience. (9/9/24)
Past is Prologue, by Mason Gross professor emeritus Patrick Strzelec, provides an inviting atmosphere on the front terrace of the Zimmerli, making art accessible to visitors and passersby. The artist created it as a monument the Class of 1965, which funded the commission of the sculpture, "to reflect their magic, their trajectory, their innocence, the fervor to do right, that this might live with us— and on this campus—forever.” (9/5/24)