The Zimmerli’s first exhibition dedicated to Armenian nonconformist art from the Dodge collection features nearly 60 artworks by more than 30 artists who captured the ideological, stylistic and aesthetic diversity of Armenian nonconformism from the 1960s to 1990.
Exploring the Multiplicities of Indigeneity, Indigenous Identities: Here, Now & Always features more than 100 works by nearly 100 artists including Norman Akers, Kay WalkingStick, Emmi Whitehorse, Alan Michelson, New Red Order, and Zoë Urness, among others.
Group exhibition joined by intimate solo presentation of Smith’s work from the Zimmerli’s collection.
The Zimmerli joins hundreds of cultural institutions around the globe on Bloomberg Connects, which offers unique content to enrich visitor engagement. The app invites the public to easily access the Zimmerli's content when planning a trip to the museum, while in the galleries or delving deeper after a visit. Easy links to visitor information, upcoming events, the gallery map, social media accounts, and membership options—as well as multilingual capabilities with the integration of Google Translate—enhance the visitor experience. (9/9/24)
Past is Prologue, by Mason Gross professor emeritus Patrick Strzelec, provides an inviting atmosphere on the front terrace of the Zimmerli, making art accessible to visitors and passersby. The artist created it as a monument the Class of 1965, which funded the commission of the sculpture, "to reflect their magic, their trajectory, their innocence, the fervor to do right, that this might live with us— and on this campus—forever.” (9/5/24)
After nearly two decades of service to the museum and the university, Donna Gustafson retires on Sept. 1, 2024. Her forward-thinking contributions to the Zimmerli reach far beyond the art and exhibitions that she put on display. (7/11/24)
Photo by Andrew Mitchell
Featuring more than 100 objects—painting, drawing, assemblage, video, sculpture, photography—The Body Implied: The Vanishing Figure in Soviet Art presents works of art made between 1970 and the present, by 22 artists from Armenia, Estonia, Georgia, Kazakhstan, Lithuania, Russia, and Ukraine. The imagery features partially obscured or hidden figures, as well as instances where the human form is implied, but not visible. (4/4/24)