Exhibition Features New Jersey-Born Artist Whose Work Extended Beyond the Walls of the Studio and Imprinted His Community

New Brunswick, N.J. (Jan. 26, 2026)—Born in North Plainfield, New Jersey, and raised in Boston, Allan Rohan Crite (1910-2007) created a rich visual record of Black life in 20th-century urban America, revealing a sense of community that resonates across time and place. The new exhibition Allan Rohan Crite: Neighborhood, opening Feb. 11, 2026, at the Zimmerli Art Museum at Rutgers—New Brunswick, offers a sweeping overview of his long career as a storyteller and cultural historian who chronicled the everyday lives of his friends and neighbors.

“Crite gifted the art world with iconic imagery that spans much of the 20th century, but only recently has he gained recognition in a broader art-historical context,” said Maura Reilly, director of the Zimmerli. “The artist primarily depicted the people and places around his longtime home of Boston, but his work evokes a feeling of belonging that is universal.”

Allan Rohan Crite: Neighborhood features 65 paintings and works on paper, exploring themes meaningful to the artist: neighborhood, community and religion. Over a career spanning eight decades, Crite documented the multicultural, multiracial and multigenerational communities of Boston, as well as historic social and economic changes that transformed the nation in the latter half of the 20th century.

Crite’s vibrant paintings of neighborhood scenes from the 1930s and 1940s are some of his most celebrated works. While many of his contemporaries in New York portrayed Black subjects through two stereotypical extremes—famous entertainers or anonymous figures—Crite chose his middle-class neighbors in Boston. He captured their everyday activities: children learning and playing, mothers and babies meeting in the park, men reading the news on the corner, people commuting and at the office.

A dedicated Episcopalian, Crite often portrayed religious scenes that are common art historical subjects. The exhibition includes a full set of his Stations of the Cross: I-XIV, an important Biblical narrative that encourages Christians to explore the themes of suffering, sacrifice and redemption. Crite also placed Biblical figures in familiar, contemporary settings. His well-known Streetcar Madonna, along with two other images of Madonna and Child navigating the public transit system, inspires viewers to experience spirituality beyond the sacred walls of the church.

From the 1950s onward, Crite experimented with new techniques on paper, continuing to explore the meaning of community—particularly as the physical landscape around him shifted. He documented the detrimental impact of urban renewal—what he called “urban removal”—and the gentrification that displaced long-established Black and multicultural neighborhoods. 

Crite lived the community-centered values he depicted. His home was a gathering space for scholars, historians, artists and community leaders. That legacy continues in the current work of Johnetta Tinker and Susan Thompson, who—like their mentor, Crite—capture Black communities grounded in lived experience, rather than stereotypes. Four quilts from their 2021 series Deeply Rooted in the NeighborHOOD, Homage to Allan Rohan Crite are included in the exhibition.

PUBLIC PROGRAMS

Allan Rohan Crite: Neighborhood is complemented by free public programs, kicking off with SparkNight: Centennial Black History Month Celebration and Spotlight on New Spring Exhibitions on Feb. 12, 2026. Additional spring events include a choir performance on Feb. 28; an Art Together family workshop on March 15; and the curatorial discussion “Conspicuous by their absence” on April 29. More information and details are available at zimmerli.rutgers.edu/events.

Allan Rohan Crite: Neighborhood is organized by the Isabella Stewart Gardner Museum, Boston, Massachusetts. The Zimmerli’s presentation is organized by Nicole Simpson, Curator of Prints and Drawings. It is on view from Feb. 11 through July 31, 2026, at the Zimmerli Art Museum at Rutgers—New Brunswick. In addition, the Gardner Museum and Boston Athenaeum have co-published Allan Rohan Crite: Neighborhood Liturgy, produced by Princeton University Press, the first extensively researched, fully illustrated, career-spanning book about the artist. Scholars, historians, artists and community leaders influenced by Crite have contributed essays and recollections to the publication.

The exhibition is made possible through generous support from donors to Zimmerli’s Major Exhibition Fund: Kathrin and James Bergin, Sundaa and Randy Jones, Heena and Hemanshu Pandya, and Mark L. Pomerantz, with additional support from Rutgers University.

The Zimmerli’s operations, exhibitions, and programs are funded in part by Rutgers, The State University of New Jersey, and income from the Avenir Endowment Fund and the Andrew W. Mellon Endowment Fund, among others. Additional support comes from the New Jersey State Council on the Arts, Bloomberg Philanthropies, and the donors, members, and friends of the museum.

Generous support for bilingual text was provided by Art Bridges Foundation’s Access for All program.

ZIMMERLI ART MUSEUM | RUTGERS

The Zimmerli Art Museum houses more than 75,000 works of art, with strengths in American Art, European Art, Soviet Nonconformist Art and Arts of Eurasia, and Original Illustrations for Children's Literature. The permanent collections include works in all mediums, spanning from antiquity to the present day, providing representative examples of the museum’s research and teaching mission at Rutgers, The State University of New Jersey, which stands among America’s highest-ranked, most diverse public research universities. Founded in 1766, as one of only nine colonial colleges established before the American Revolution, Rutgers is the nation’s eighth-oldest institution of higher learning.

VISITOR INFORMATION

Admission is free to the Zimmerli Art Museum at Rutgers. The museum is located at 71 Hamilton Street (at George Street) on the College Avenue Campus of Rutgers University in New Brunswick. The Zimmerli is a short walk from the NJ Transit train station in New Brunswick, midway between New York City and Philadelphia.

The Zimmerli Art Museum is open Wednesday and Friday, 11 a.m. to 6 p.m.; Thursday, 11 a.m. to 8 p.m.; Saturday and Sunday, noon to 5 p.m. The museum is closed Monday and Tuesday, as well as major holidays and the month of August.

For the most current information, including parking and accessibility, visit zimmerli.rutgers.edu/visit.

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