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Paul Gardère, "Hybrids," 1998. Acrylic, glitter, photograph, and found objects on wood. On loan from the Estate of Karen McCarthy Brown and Robert Machover. IL2022.001.002

Paul Gardère, "Hybrids," 1998. Acrylic, glitter, photograph, and found objects on wood. On loan from the Estate of Karen McCarthy Brown and Robert Machover. IL2022.001.002

Dates

January 31- July 31, 2024

Location

Zimmerli Art Museum

71 Hamilton Street New Brunswick, NJ, 08901

Information

Admission at the Zimmerli is FREE to everyone. Tickets are not required for exhibitions

Repossession: Didier William and Paul Gardère

This exhibition features the work of Haitian-American artists Didier William and Paul Gardère. In their prints, paintings, and artist's books, William, assistant professor at Mason Gross School of the Arts, Rutgers University, and Gardère use multi-layered visual vocabularies to explore their personal histories and heritage and the fluid construction of identity within diasporic communities. Located within the European galleries, this exhibition reevaluates of our understanding of the narratives of Western history and art through how William and Gardère confront the long and ongoing history of colonialism to emphatically forge their own identities and create powerful narratives of resistance.

Organized by Didier William and gallery texts written by Erica Moiah James, assistant professor at the University of Miami.

Exhibition Preview

This exhibition features the work of Haitian-American artists Didier William and Paul Gardère. In their prints, paintings, and artist's books, William and Gardère use multi-layered visual vocabularies to explore their personal histories and heritage and the fluid construction of identity within diasporic communities.

Paul Gardère, Two Gardens, 1991-1996, acrylic, glitter, mud, rope, and shovel on plexiglass and wood. Jersey City Museum Collection, gift of Jersey City Museum. 2018.032.118.

Didier William, Twaze Bronze, 2022, screenprint. Courtesy of the artist, © Didier William. 

Didier William, Cursed Grounds: Blessed Bones, 2022, multiplate color intaglio on Hahnemühle bright white paper. Courtesy of James Fuentes, © Didier William. 

Didier William, What We Will Make Together, 2019, 4 plate copper etching with Chine-collé on paper. Courtesy of the artist, © Didier William. 

Paul Gardère, Hybrids, 1998, acrylic, glitter, photograph, and found objects on wood. On Loan from the Estate of Karen McCarthy Brown and Robert Machover. IL2022.001.002